Mapping out the identity of African arts and aesthetics
Date
2016Author
Situma, J
Atoh, F
Ndohvu, J
Type
ArticleLanguage
enMetadata
Show full item recordAbstract
This article utilizes the hermeneutic theory of Paul Ricoeur and its concepts of text, historicity, distance, narrative and metaphor to map out the salient features of African arts and aesthetics. It also uses the Ricoeurian concept of metaphor to demarcate the boundary between art and popular art. The focus of this mapping out is literature, visual arts, music and art criticism. The identity of African literature bears imprints of various indigenous and foreign languages, and pertinent to Ricoeur, the deployment of metaphor. Thematic concerns are patently African by virtue of the historicity of the discourses that feature in the novels, poems and plays. On the other hand, art criticism in contemporary Africa manifests a lack of responsibility, and its practitioners would enhance their capacity by drawing from Ricoeur’s philosophy of interpretive responsibility. Although discourse is significantly valuable in mapping out identity in the African novel, its applicability to the identity of painting, poetry and music is slightly constrained. Furthermore, Ricoeur’s concept of textual autonomy is of least value in dealing with the identity features of symbolic painting and symbolic arts.
Citation
Situma, Joseph, Fred Atoh, and Juma Ndohvu. "Mapping out the Identity of African Arts and Aesthetics." Thought and Practice 7.1 (2015): 77-102.Publisher
University of Nairobi
Rights
Attribution-NonCommercial-NoDerivs 3.0 United StatesUsage Rights
http://creativecommons.org/licenses/by-nc-nd/3.0/us/Collections
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