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dc.contributor.authorKieti, Mwikali
dc.date.accessioned2013-04-10T06:26:04Z
dc.date.issued1988
dc.identifier.citationM.A (Literature) Thesis 1988en
dc.identifier.urihttp://erepository.uonbi.ac.ke:8080/xmlui/handle/123456789/15575
dc.descriptionMaster Arts Thesisen
dc.description.abstractThe study covers a sample of Akamba myali songs (singular, mwali) through a careful demonstration of how imagery and allusions portray ideas.Though fast disappearing, mwali is a major component of the Akamba literature as is apparent from the field interviews and the songs studied. Besides entertaining listeners, mwali conserved traditions and defended historic truths. Unlike other song types, mwali is thematically very eclectic. Multiple themes occur in a single text. The extensive use of allusion makes mwali difficult to understand but popular at the same time. Listeners are challenged to decipher t\e meanings of things, places and people alluded to. imagery drew upon the immediate environment. The names given are symbolic, and inanimate objects are personified or animated. Akamba sayings also occur in myali songs. After transcription and translation, the songs were therefore analysed according to their themes, allusions, imagery, personification, and Akamba sayings. This study begins to unveil the wide scope of the complexities within the myali songs.en
dc.description.sponsorshipUniversity of Nairobien
dc.language.isoenen
dc.titleMyali song: Social critique among the Kambaen
dc.typeThesisen
local.publisherFaculty of Arts, University of Nairobien


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