Elements of Performance in Toddobobax Ceremony of Somali People of Kenya

Abstract

This study investigates the elements of performance present in the Toddobobax ceremony. The ceremony is a post-wedding ritual and is the last stage of the Somali wedding process. Toddobobax which takes place on the seventh day after the wedding is a women’s only ceremony. Its purpose is to celebrate the bride becoming a married woman. The study applies three theories; performance theory highlights the elements of permance in the Toddobobax. Secondly, the study uses Ethnopoetics theory in highlighting the rhythm of the songs, intonation and stress. The study deploys qualitative research methods for data collection. I employed the use of interviews, observation and participation to gather materials. Finally, postmodern theory is employed to analyze the transformations of Toddobobax performance. In this research therefore, I examine the elements of performance that makes this ritual a drama such as; structure of the performance, space, performers, costumes and props. The study seeks to add to the body of knowledge by analyzing the cultural elements of the Somali community through this particular performed art. This study also investigated changes Toddobobax performance has undergone to remain relevant in the modern world. The changes in the elements of performance can be noted in the structure of the ceremony, the space and the modification of costumes and props. The study therefore will help in evaluating adaptations in a changing society.