| dc.description.abstract | This thesis is a study of the works of Maxim Gorky written between 1892 and 1906. These works represent the writer's literary efforts prior to the successful proletariat revolution of 1917. The study has three main objectives. One, to trace Gorky's chronological growth and source of inspiration and the impact it has on his writing. Second, to analyse his search for an appropriate truth for the downtrodden in Russian; third, attempt to speculate upon Gorky's relevance to present day Russia. To achieve these objectives the study adopts Marxist criticism.
This thesis is inspired by the realisation that although Maxim Gorky is recognised as playing a significant role in changing the course of Russia, his literary prowess is ignored, downplayed and outrightly ridiculed. Available literature especially originating from the west suggests that Gorky is a failed writer. Such critical texts fail to appreciate the unwavering faith Gorky has in his people and the important role he has to play in helping shape their future.
This study is divided into three chapters and focuses on Gorky's autobiographical trilogy, his earliest collection of stories, novels and plays. It stops at his most popular and propagandist novel Mother written just before the October revolution of 1917. Speculation is also ~ade on his significance in present day Russia.
The most significant conclusion drawn from this study is that Gorky's place in the literary history of Russia is firmly entrenched. He writes at a time his people need him most, echoing the wind of change in his country and certainly becoming a foremost contributor to socialist realism. His unwavering faith in people's ability to rise above any situation, makes his writings timeless, appealing to readers of any given period of time. It is finally the contention of this thesis that the study of Gorky advances scholarship on his works. | en |
