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dc.contributor.authorOluoch, O
dc.date.accessioned2013-05-30T06:47:21Z
dc.date.available2013-05-30T06:47:21Z
dc.date.issued1979
dc.identifier.citationM.A ( Literature)en
dc.identifier.urihttp://erepository.uonbi.ac.ke:8080/xmlui/handle/123456789/27319
dc.descriptionMaster of Arts Thesisen
dc.description.abstractIn the first chapter there is an attempt to trace the development of the Afro-American folklore. Through the examination of the different genr~s we are able to assess the importance they have for the black Americans. This chapter also serves to negate the myth that black Americans have never had a literature and an aesthetic of their own. By examining the folklore we are able to destroy some of the predominant myths about black slaves and the entire slave system. Such myths depict slaves either as contented and ever-happy creatures or as little children who revel in stealing from their masters. Their major trait is seen as docility and deceit.en
dc.description.sponsorshipUniversity of Nairobien
dc.language.isoenen
dc.titleThe concept of the mask in Afro-American poetry of the 1960'sen
dc.typeThesisen
local.publisherDepartment of Literature, University of Nairobien


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