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dc.contributor.authorMuchiri, Jennifer
dc.date.accessioned2013-06-24T11:39:15Z
dc.date.available2013-06-24T11:39:15Z
dc.date.issued2012
dc.identifier.citationThe Global South Volume 5, Number 2, Fall 2012 pp. 77-92 | 10.1353/gbs.2012.0010en
dc.identifier.urimuse.jhu.edu/login?auth=0&type=summary&url=/journals/the_global_south/v005/5.2.muchiri.html
dc.identifier.urihttp://erepository.uonbi.ac.ke:8080/xmlui/handle/123456789/38933
dc.description.abstractOral literature is dynamic. It changes and grows to accommodate the changing times and trends in the human world. The onset of digital technology has meant that oral literature has to adopt it if it is to retain its functional and aesthetic place in society. Some oral literature scholars and researchers have argued that the advent of technology and other changes in society are killing oral literature. My argument in this paper is that oral literature is not a dying art; instead, it is taking different and more resilient forms in this digital age. My focus will be on various digital texts including two VCD recordings of an interethnic (Gikuyu and Samburu) wedding ceremony and a modern day (Gikuyu) thanksgiving ceremony. My essay assesses how digitization of oral literature reveals dynamism in terms of style, content, performers, and dissemination.en
dc.language.isoenen
dc.publisherUniversity of Nairobien
dc.titleCapturing Socio-cultural Diversity And Change Through Oral Literatureen
dc.typeArticleen
local.publisherCollege of Humanities and Social Sciencesen


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