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dc.contributor.authorMberia, Kithaka wa
dc.date.accessioned2015-07-10T11:33:10Z
dc.date.available2015-07-10T11:33:10Z
dc.date.issued2015-03
dc.identifier.citationMberia Kithaka Wa(2015) Al-inkishafi: A ninteenth century swahili poem .ijlass, 3(3); pp. 91-101en_US
dc.identifier.urihttp://www.ijlass.org/data/frontImages/gallery/Vol._3_No._3/10._91-101.pdf
dc.identifier.urihttp://hdl.handle.net/11295/87114
dc.description.abstractWithin the Lamu Archipelago in Kenya’s northern coa st, creative writing has been thriving for at least three hundred years. Thanks to the coming to the region o f Arab immigrants and the introduction of Arabic sc ript, the locals cultivated a strong literacy tradition e specially in poetry. One of the region’s finest poe tic compositions, created about two hundred years ago, is “Al-Inkishafi” which translates as “Soul’s Awakening” (Hitchens, 1972) or the “Catechism of th e Soul” (De Verre Allen, 1977). In this article, I explore the thematic concerns of the poem and their relevance today despite the fac t that two centuries have passed since the poem’s composit ion. I also claim and demonstrate with illustration s from the poem the freshness, intensity and elegance of its language. I then highlight some controversi es o the poem with regard as to whether or not the poem is complete and whether the piece is not merely a religious sermon rather than a work of art. I end t he paper by stating my stand on the controversies.en_US
dc.language.isoenen_US
dc.publisherUniversity of Nairobien_US
dc.subjectAl-Inkishafi, Lamu archipelago, Swahili poem, Sayyi d Abdallah Nasiren_US
dc.titleAl-inkishafi: A ninteenth century swahili poemen_US
dc.typeArticleen_US
dc.type.materialen_USen_US


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