Publishing outposts on the Kenyan literary landscape: a critique of Busara, Mũtiiri and Kwani?
Abstract
This study explores Busara, Mũtiiri and Kwani? as magazines that are representative of
some defining moments in Kenya’s literary history. Using a historical approach, I have
related literary production in Kenya to its socio-political contexts from the 1960s to 2014.
I have discussed how early Kenyan literary magazines such as Busara participated in the
establishment of foundational literary traditions in the country and examined the roles
that pioneer creative writers and critics played in setting the pace for later writers and
critics. Further, I have evaluated the founding of Mũtiiri by Ngũgĩ wa Thiong’o in
America in 1994 and demonstrated how the circumstances that gave birth to Mũtiiri also
precipitated the founding of Kwani? in 2003. Closely reading specific texts from selected
issues of Busara, Mũtiiri and Kwani?, I have interrogated the points of convergence and
divergence across the three periodicals to illuminate their pivotal position in the growth
and development of Kenyan literature to date. This study not only illustrates how literary
journals and magazines are brooding nests for creative writers and literary critics, but it
also shows how they nurture literary cultures, build bridges between generations of
writers and between traditions, and even generate space, time and tempo for (new)
literary trends. The study therefore positions literary journals and magazines as
publishing outposts that have made a significant contribution to the evolution and
development of Kenyan literature over time
Publisher
University of Nairobi
Description
Thesis